Today is crazily ordinary so far. Of course, it's only 8:30, so much remains to be seen, but I have a feeling that I am in store for a quiet day. I feel very productive, however. (Hence the bouncy Fëanor for mood. This is how he might have felt while first pondering the Silmarils.)
I forgot to mention that I have another movie review. Bobby and I rented The Hillside Strangler on Friday night, since our plans were cut short due to our fellow nerds having an out-of-town guest. Bobby and I share the guilty pleasure of scary movies, but this wasn't your typical jump-out-and-go-boo horror fare. It was shown at several prestigious film festivals--another type of movie that we tend to prefer--so it wasn't likely to include a gaggle of teenagers being chased through the woods by mutants or anything like that.
Because it is based on a true story, and I think we all know what happened, I don't think that I need to indicate that my review contains spoilers. But if you don't want to know the premise of the movie, skip ahead a few paragraphs.
All in all, it was an awful movie. By this, I don't mean that it was boring or rote or any of the normal things about which I complain. In fact, in this case, the fact that it as awful is not even a complaint. It is not pleasant material and the fact that it is a true-crime tale makes it even worse. It is a portrait of humanity at its worst and one of the best case study examples of Antisocial Personality Disorder (more commonly known as psychopathy) that I've ever seen. Reading up on the case on the Crime Library, the movie stays remarkably true to the actual events--a rarity, I find in BOATS (Based On A True Story) movies, where the temptation to sensationalize is always there--in fact, the movie avoids two of the worst murders entirely, those of two young girls, aged 12 and 14, and instead focuses on the kidnapping and brutalization of the older women, many of whom were prostitutes.
As way of a quick overview, Kenneth Bianchi was a pathological liar who found himself on hard times due to being found out in his lies. He was of average intelligence and described as being excessively neat and proper. His first love was for police work (ironically), but he never made it into the local police department. His mother recommended that he start anew in California, with his cousin Angelo Buono. (Bianchi was adopted, by the way, which explains why the cousins look nothing alike.) Buono was in many ways the opposite of Bianchi: unattractive, sadistic, and given to serving his whims and pleasures no matter what the cost to others. Young girls, however, were highly attracted to him, and he had many failed marriages, a formidable brood of children, and even more girlfriends. He got Bianchi involved in drugs and prostitution to the extent that the two kidnapped and forced two girls into prostitution. The first murder came about as the result of a list of johns that got the pair into some trouble: Their first victim was a prostitute who had helped procure the list.
With my background in psychology, the portraits painted of the killers is a fascinating example of how Antisocial Personality Disorder manifests. Those with ASP are often charming and charismatic--evidenced by Bianchi and Buono in different ways--and are exceedingly calm under duress. One of the best examples of this involves a time when police came to Bianchi's apartment to question him about the Hillside Strangler murders. Completely calm, Bianchi let them into his home and was the picture of cooperation. Buono's magnetism with women is a different example of how this manifests.
It is not a pleasant movie to watch because it is quite brutal and also nearly completely truthful. Nonetheless, I applaud the writers for how they handled the complex psychology of the killers and also for the degree to which they stuck to the truth of the tale rather than embellishing for a more "Hollywood" horror movie. Also, I give them props for their discretion in eliminating the murder of the two young girls from the film. Although this is what really happened, it is commendable that such discretion was observed in an industry that thrives on always topping the last shocking trick with one worse, to avoid what would have been sensitive and gratuitous material (and also wholly unnecessary, given the point of the movie).
So my rating? Three-and-a-half E.L. Fudge "Elves Exist!" cookies out of four, for compelling psychology and a truly scary tale.
I think that might finally take care of all the unfinished weekend business I have been forgetting. True to predictions, today has been slow so far. I haven't gotten a whole lot done because my boss decided he wanted to come in and chat while I was working on my review above, but hey, a little actual human interaction never killed anyone. I also encountered a few good Dumb Coworker tales. Like the insanely popular "Girls Gone Wild" series, Dawn Felagund now introduces "Coworkers Gone Dumb." (This would have been a lot more prevalent in my Friendly's days, but I'm sure it'll be updated often here at the WAU too.)
Coworkers Gone Dumb
Episode One
SCENE ONE
Dawn Felagund is sitting at her desk, working on the latest chapter for her uber-long Silmarillion story. Enter Pallando. Dawn Felagund quickly scrolls to the end of her story because she does not like people reading over her shoulder.
Pallando: Hi, Dawn. How ya doing?
Dawn Felagund: Fine, thanks. How are you?
Pallando: (begins fumbling with copier) I'm fine. Got any news?
Dawn Felagund: Nope. Same stuff, different day.
Pallando: Oh, okay. (Pondering copier) Say Dawn, how does this work? Do I just press "Copy?"
SCENE TWO
Pallando has left Dawn Felagund's office. She has resumed working on her uber-long Silmarillion story. Two minutes pass. Enter Pallando (again). Dawn Felagund quickly scrolls to the end of her story (again).
Pallando: So, Dawn, got any news?
Dawn Felagund: Nope. Same stuff, different day.
Pallando: Oh.
SCENE THREE
Pallando has left Dawn Felagund's office (again). She has resumed working on her uber-long Silmarillion story (again). Enter Alatar. Dawn Felagund quickly scrolls to the end of her story. This is becoming tiresome.
Alatar: Hi, Dawn.
Dawn Felagund: Hey, Gary. (Alatar's real name) What's up?
Alatar: (sitting on the table opposite Dawn Felagund's desk) Not much. How are our numbers looking for the month?
Dawn Felagund: (excitedly) Great, actually. We have forty-two arrests so far, with four days left in the month. Our previous arrest record was forty-four, so we're almost sure to beat that, and if we get only two a day for the rest of the month, we'll have fifty. Johnny will have a conniption if we get fifty.
Alatar: Yeah, but we shouldn't do that. Then he'll be expecting us to work that hard every month.
SCENE FOUR
The next day, Dawn Felagund is sitting at her desk, doing some research for a movie review she is writing in her journal. Enter the WAU Policy Instructor, who looks like Dawn Felagund, except the WAU Policy Instructor never writes in her journal or works on uber-long Silmarillion stories during work hours.
WAU Policy Instructor: Before we begin this scene, here is some education for the masses regarding the service of Parole Retake warrants. Parole Retake warrants come with three pages: There is a cover sheet made up by the Central Home Detention Unit with address information and descriptors of the subject; there is the warrant itself, signed by the Parole Commmissioner; and there is a statement of charges, written by the subject's agent, detailing why he or she sought the warrant. The last two pages--the warrant and the statement of charges--are official documents. The coversheet is done as a courtesy by the Central Home Detention Unit. It usually has a lot of errors, and so it is never forwarded beyond WAU personnel. When a person is arrested, the warrant and statement of charges must be left with the correctional institution in order to legally detain the subject.
WAU Policy Instructor exits. Dawn Felagund's phone rings.
Dawn Felagund: Warrant Apprehension Unit, Dawn Felagund, how may I help you?
April from CHDU: Hi, Dawn, it's April from CHDU.
Dawn Felagund: Oh, hi, April from CHDU! What's up?
April from CHDU: Your unit arrested two subjects last night and left them at the Caroline County Detention Center. They left the coversheet and the warrant but forgot the statement of charges.
Dawn Felagund: Oh, no! Do I need to send it?
April from CHDU: No, I already did. Just let them know that they have to leave both the warrant and the statement of charges.
Dawn Felagund: Okay, I'll let Johnny know. Thanks. Bye.
Dawn Felagund hangs up the phone and walks over to Johnny's office. Johnny is playing Pop-Eye slot machines on his computer.
Dawn Felagund: Diane arrested two guys last night and failed to leave the statement of charges at the detention center. I don't think she knows to leave the statement of charges. Whenever she does a transport, she always forgets to give it to me too.
Johnny: Okay, I'll call her and let her know.
Johnny dials the phone and Dawn Felagund goes back to her office, although she strains her ear to listen in. (Dawn Felagund and Diane do not get along.)
Johnny: Yo, Diane! You took two guys to Caroline County last night and forgot to leave the statement of charges. You have to leave the warrant and the statement of charges. (Pause) You say you did? Okay. (Johnny hangs up the phone and comes over to Dawn Felagund's office.) She says she left it.
Dawn Felagund: No, she left the coversheet and the warrant, not the statement of charges. I think she thinks the coversheet is an official document.
Johnny: Oh. (Goes back to office and dials Diane again.) Yo, Diane, you left the coversheet and the warrant. There's three pages. (Johnny proceeds to give the same explanation given by WAU Policy Instructor to an employee who has been working at the WAU for a year now. Pause.) Oh, you did? Okay, bye. (Johnny comes back over to Dawn Felagund's office, looking peeved.) She insists that she left both.
Dawn Felagund: (rolls eyes) Dumb wench. (Johnny laughs.)
End of Episode One
The reason for this episode is that Diane is always doing dumb things. People who read my journal know more about her job than she does. Then she has the nerve to argue with me and try to blame me for things that come about because she was too dumb to know better. She once transported a woman who needed to remain where she was, then had the indignation to attempt to blame me for her mistake, although I have nothing to do with prisoner transports. When I blew up at her, she magically became my best friend. Go figure.
Alatar and Pallando are dumb too but in a mostly harmless way. They have no problem acknowledging that they're dumb. If I tell them that they have to do something some way, they never question it or argue.
Diane did fail to leave the statement of charges. The DC had a copy of the coversheet and the warrant but no statement of charges. I bet when she turns in the file next week, the statement of charges will be right on top, pretty as you please. She just cannot take accountability for her own mistakes, which is also irritating. (I'm surprised she didn't find a way to pin the missing statement of charges on me. "Well, you know, bud, Dawn could have sneaked down to Caroline County, broken into the jail, and stolen it, just to make me look bad.")
On a lighter note, I got five pages done yesterday on my new chapter! And this was while running ten new warrants, when CJIS (the database) went down right in the middle of it, thus ruining the nice rhythm I had going. I knew Tyelkormo would come through for me; if I keep going at this pace, I will be finished the chapter by tomorrow, which is absolutely freaking wonderful!
Well, I've written more than I anticipated. It just goes to prove that sometimes no news is the most newsworthy. I should be back later today (barring a catastrophe) for the Week in News, so today should be a lot of fun, full of writing.
Until then, namarië,
Medium Dawn Felagund of the Fountain
Next journal entry
Return home to the Index page
I forgot to mention that I have another movie review. Bobby and I rented The Hillside Strangler on Friday night, since our plans were cut short due to our fellow nerds having an out-of-town guest. Bobby and I share the guilty pleasure of scary movies, but this wasn't your typical jump-out-and-go-boo horror fare. It was shown at several prestigious film festivals--another type of movie that we tend to prefer--so it wasn't likely to include a gaggle of teenagers being chased through the woods by mutants or anything like that.
Because it is based on a true story, and I think we all know what happened, I don't think that I need to indicate that my review contains spoilers. But if you don't want to know the premise of the movie, skip ahead a few paragraphs.
All in all, it was an awful movie. By this, I don't mean that it was boring or rote or any of the normal things about which I complain. In fact, in this case, the fact that it as awful is not even a complaint. It is not pleasant material and the fact that it is a true-crime tale makes it even worse. It is a portrait of humanity at its worst and one of the best case study examples of Antisocial Personality Disorder (more commonly known as psychopathy) that I've ever seen. Reading up on the case on the Crime Library, the movie stays remarkably true to the actual events--a rarity, I find in BOATS (Based On A True Story) movies, where the temptation to sensationalize is always there--in fact, the movie avoids two of the worst murders entirely, those of two young girls, aged 12 and 14, and instead focuses on the kidnapping and brutalization of the older women, many of whom were prostitutes.
As way of a quick overview, Kenneth Bianchi was a pathological liar who found himself on hard times due to being found out in his lies. He was of average intelligence and described as being excessively neat and proper. His first love was for police work (ironically), but he never made it into the local police department. His mother recommended that he start anew in California, with his cousin Angelo Buono. (Bianchi was adopted, by the way, which explains why the cousins look nothing alike.) Buono was in many ways the opposite of Bianchi: unattractive, sadistic, and given to serving his whims and pleasures no matter what the cost to others. Young girls, however, were highly attracted to him, and he had many failed marriages, a formidable brood of children, and even more girlfriends. He got Bianchi involved in drugs and prostitution to the extent that the two kidnapped and forced two girls into prostitution. The first murder came about as the result of a list of johns that got the pair into some trouble: Their first victim was a prostitute who had helped procure the list.
With my background in psychology, the portraits painted of the killers is a fascinating example of how Antisocial Personality Disorder manifests. Those with ASP are often charming and charismatic--evidenced by Bianchi and Buono in different ways--and are exceedingly calm under duress. One of the best examples of this involves a time when police came to Bianchi's apartment to question him about the Hillside Strangler murders. Completely calm, Bianchi let them into his home and was the picture of cooperation. Buono's magnetism with women is a different example of how this manifests.
It is not a pleasant movie to watch because it is quite brutal and also nearly completely truthful. Nonetheless, I applaud the writers for how they handled the complex psychology of the killers and also for the degree to which they stuck to the truth of the tale rather than embellishing for a more "Hollywood" horror movie. Also, I give them props for their discretion in eliminating the murder of the two young girls from the film. Although this is what really happened, it is commendable that such discretion was observed in an industry that thrives on always topping the last shocking trick with one worse, to avoid what would have been sensitive and gratuitous material (and also wholly unnecessary, given the point of the movie).
So my rating? Three-and-a-half E.L. Fudge "Elves Exist!" cookies out of four, for compelling psychology and a truly scary tale.
I think that might finally take care of all the unfinished weekend business I have been forgetting. True to predictions, today has been slow so far. I haven't gotten a whole lot done because my boss decided he wanted to come in and chat while I was working on my review above, but hey, a little actual human interaction never killed anyone. I also encountered a few good Dumb Coworker tales. Like the insanely popular "Girls Gone Wild" series, Dawn Felagund now introduces "Coworkers Gone Dumb." (This would have been a lot more prevalent in my Friendly's days, but I'm sure it'll be updated often here at the WAU too.)
Coworkers Gone Dumb
Episode One
SCENE ONE
Dawn Felagund is sitting at her desk, working on the latest chapter for her uber-long Silmarillion story. Enter Pallando. Dawn Felagund quickly scrolls to the end of her story because she does not like people reading over her shoulder.
Pallando: Hi, Dawn. How ya doing?
Dawn Felagund: Fine, thanks. How are you?
Pallando: (begins fumbling with copier) I'm fine. Got any news?
Dawn Felagund: Nope. Same stuff, different day.
Pallando: Oh, okay. (Pondering copier) Say Dawn, how does this work? Do I just press "Copy?"
SCENE TWO
Pallando has left Dawn Felagund's office. She has resumed working on her uber-long Silmarillion story. Two minutes pass. Enter Pallando (again). Dawn Felagund quickly scrolls to the end of her story (again).
Pallando: So, Dawn, got any news?
Dawn Felagund: Nope. Same stuff, different day.
Pallando: Oh.
SCENE THREE
Pallando has left Dawn Felagund's office (again). She has resumed working on her uber-long Silmarillion story (again). Enter Alatar. Dawn Felagund quickly scrolls to the end of her story. This is becoming tiresome.
Alatar: Hi, Dawn.
Dawn Felagund: Hey, Gary. (Alatar's real name) What's up?
Alatar: (sitting on the table opposite Dawn Felagund's desk) Not much. How are our numbers looking for the month?
Dawn Felagund: (excitedly) Great, actually. We have forty-two arrests so far, with four days left in the month. Our previous arrest record was forty-four, so we're almost sure to beat that, and if we get only two a day for the rest of the month, we'll have fifty. Johnny will have a conniption if we get fifty.
Alatar: Yeah, but we shouldn't do that. Then he'll be expecting us to work that hard every month.
SCENE FOUR
The next day, Dawn Felagund is sitting at her desk, doing some research for a movie review she is writing in her journal. Enter the WAU Policy Instructor, who looks like Dawn Felagund, except the WAU Policy Instructor never writes in her journal or works on uber-long Silmarillion stories during work hours.
WAU Policy Instructor: Before we begin this scene, here is some education for the masses regarding the service of Parole Retake warrants. Parole Retake warrants come with three pages: There is a cover sheet made up by the Central Home Detention Unit with address information and descriptors of the subject; there is the warrant itself, signed by the Parole Commmissioner; and there is a statement of charges, written by the subject's agent, detailing why he or she sought the warrant. The last two pages--the warrant and the statement of charges--are official documents. The coversheet is done as a courtesy by the Central Home Detention Unit. It usually has a lot of errors, and so it is never forwarded beyond WAU personnel. When a person is arrested, the warrant and statement of charges must be left with the correctional institution in order to legally detain the subject.
WAU Policy Instructor exits. Dawn Felagund's phone rings.
Dawn Felagund: Warrant Apprehension Unit, Dawn Felagund, how may I help you?
April from CHDU: Hi, Dawn, it's April from CHDU.
Dawn Felagund: Oh, hi, April from CHDU! What's up?
April from CHDU: Your unit arrested two subjects last night and left them at the Caroline County Detention Center. They left the coversheet and the warrant but forgot the statement of charges.
Dawn Felagund: Oh, no! Do I need to send it?
April from CHDU: No, I already did. Just let them know that they have to leave both the warrant and the statement of charges.
Dawn Felagund: Okay, I'll let Johnny know. Thanks. Bye.
Dawn Felagund hangs up the phone and walks over to Johnny's office. Johnny is playing Pop-Eye slot machines on his computer.
Dawn Felagund: Diane arrested two guys last night and failed to leave the statement of charges at the detention center. I don't think she knows to leave the statement of charges. Whenever she does a transport, she always forgets to give it to me too.
Johnny: Okay, I'll call her and let her know.
Johnny dials the phone and Dawn Felagund goes back to her office, although she strains her ear to listen in. (Dawn Felagund and Diane do not get along.)
Johnny: Yo, Diane! You took two guys to Caroline County last night and forgot to leave the statement of charges. You have to leave the warrant and the statement of charges. (Pause) You say you did? Okay. (Johnny hangs up the phone and comes over to Dawn Felagund's office.) She says she left it.
Dawn Felagund: No, she left the coversheet and the warrant, not the statement of charges. I think she thinks the coversheet is an official document.
Johnny: Oh. (Goes back to office and dials Diane again.) Yo, Diane, you left the coversheet and the warrant. There's three pages. (Johnny proceeds to give the same explanation given by WAU Policy Instructor to an employee who has been working at the WAU for a year now. Pause.) Oh, you did? Okay, bye. (Johnny comes back over to Dawn Felagund's office, looking peeved.) She insists that she left both.
Dawn Felagund: (rolls eyes) Dumb wench. (Johnny laughs.)
End of Episode One
The reason for this episode is that Diane is always doing dumb things. People who read my journal know more about her job than she does. Then she has the nerve to argue with me and try to blame me for things that come about because she was too dumb to know better. She once transported a woman who needed to remain where she was, then had the indignation to attempt to blame me for her mistake, although I have nothing to do with prisoner transports. When I blew up at her, she magically became my best friend. Go figure.
Alatar and Pallando are dumb too but in a mostly harmless way. They have no problem acknowledging that they're dumb. If I tell them that they have to do something some way, they never question it or argue.
Diane did fail to leave the statement of charges. The DC had a copy of the coversheet and the warrant but no statement of charges. I bet when she turns in the file next week, the statement of charges will be right on top, pretty as you please. She just cannot take accountability for her own mistakes, which is also irritating. (I'm surprised she didn't find a way to pin the missing statement of charges on me. "Well, you know, bud, Dawn could have sneaked down to Caroline County, broken into the jail, and stolen it, just to make me look bad.")
On a lighter note, I got five pages done yesterday on my new chapter! And this was while running ten new warrants, when CJIS (the database) went down right in the middle of it, thus ruining the nice rhythm I had going. I knew Tyelkormo would come through for me; if I keep going at this pace, I will be finished the chapter by tomorrow, which is absolutely freaking wonderful!
Well, I've written more than I anticipated. It just goes to prove that sometimes no news is the most newsworthy. I should be back later today (barring a catastrophe) for the Week in News, so today should be a lot of fun, full of writing.
Until then, namarië,
Medium Dawn Felagund of the Fountain
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