April 2024

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I have been, as is the norm for me, up to my ears in Everything. Most of it is (as usual) work, but I've been up to some fannish stuff too that I'd love to share. So, first, some links!

  • The Fading of the Elves: Techno-volunteerism and the Disappearance of Tolkien Fan Fiction Archives. I wrote this symposium article (on encouragement by Maria :) for the special Platforms edition of Transformative Works and Cultures. The crux of the article is the disappearance of single-fandom archives and what precipitates that. I argue that it's technology + volunteers ... techno-volunteerism, to use the term coined by Abigail De Kosnik! In short, people who are willing to volunteer their time time learn the technology needed to maintain an archive or other fannish platform. While viable options for doing so have dwindled in the wake of eFiction's demise, there has been a dearth too of education, support, and mentorship opportunities (although this does seem to be changing, I hope). Finally, the invisibility—an intentional choice on the part of those of us who do this work—can be grinding. Everyone else is hanging out, chatting, writing and reading stories, and you're updating software. Yet independent, small archives are a vital part of the fannish ecosystem, so what needs to change to make them a viable part again?


  • Discord as a Fandom Platform: Locating a New Playground by Welmoed Fenna Wagenaar. This one is not mine, obviously, but it appears in the same special edition of TWC, and one of the two Discord servers discussed is the SWG! The author uses the lens of play to study how "users interact with and negotiate rule-based structures and designs" on a Discord server. The SWG functions in the article mostly as an example of a moderated space, but I'm okay with that. I'm proud of the work my comoderators do on the server to keep it a safe and friendly space!


  • Ten Important Moments in Tolkien Fanfiction History. For February's Cultus Dispatches column, I thought I'd give myself an "easy month," which I think I defined at the time as "no data to crunch or graphics of said data to make," for the Organization for Transformative Works' challenge to write a "10 things" essay about fandom Ha. HA. This was not an easy article to write! In fact, I think it was my most challenging Cultus article to date. Not only did I have to choose ten things (which is very political and potentially fraught, as more than one person who clearly thought this was a bad idea pointed out), but I had to do enough research to speak with some authority on all of them. I quite liked the resulting article, though. It was worth the effort!


  • Grief, Grieving, and Permission to Mourn in the Quenta Silmarillion (text, audio, and slideshow). This is my presentation for this year's Tolkien at UVM Conference. The theme was Tolkien and Psychology, and this was my attempt to achieve a tenuous connection to the theme while yattering on, yet again, about narrative bias with a hearty scoop of quantitative data. In this presentation, I look at the data not only on death in the Quenta Silmarillion (who dies? and how? ... other than "lots" and "violently," that is) but on grief and mourning. What I've discovered is, yet again, Tolkien has constructed a pseudohistorical text that shows clear narrative bias, this time using death and mourning rituals cast certain characters in politicized ways. In other words, some characters go conspicuously ungrieved and unmourned. Others receive more than their fair share, and very often, this seems to be motivated by a desire to distract from what they were up to when they died. (Fair warning that I knock a few heroes of The Silmarillion off of their tear-washed and haunted pedestals, including my own namesake!)


So Tolkien at UVM was this weekend. This is honestly one of my favorite weekends out of the year. Grundy comes up from Jersey, sian22redux comes down from Ontario, and we have a splendiferously nerdy weekend in Burlington, closing places down because we get so involved in talking (not just about Tolkien! but there's a bit of Tolkien stuff in there too!) that we tend to lose track of how late it is until we realize they are putting up the chairs around us ...

The conference itself is excellent every year. Vermont is a bit out of the way, and early April is not the best time to be in Vermont (it's usually rainy and cold, and it's mud season, though that's less noticeable in B-ton), but the conference itself is always warm and friendly and fun. (And Vermont any time of year is itself a friendly place with great food, minimal crowds, and cheap/free parking!) This year's presentations were excellent, as I have come to expect from many years now attending this conference; several of them got my brain turning in new ways, including about my own topic, which I might expand on for one of the hybrid conferences coming up this summer.

I am a very introverted person and usually have to be coaxed into socializing. (Once I'm with my friends, I have a good time. But I rarely look forward to hanging out with people beyond a very small circle.) And the past five years have hacked away at me until I feel like I have no soft edges left; i.e., I am sometimes a crabby person. I am very often in the role these days of "advocate," which means I don't get to go with the flow, and I say "fuck" a lot. But I do look forward to this weekend so much each year and cracking out of my shell, and I'm actually feeling sad right now that it's over.
The independent archive survey ran from 23 June through 7 July 2023. Eighty-two respondents took the survey during that time. The survey asked about interest in independent archives and included a section for participants interested in building or volunteering for an independent archive. The survey was open to all creators and readers/viewers of fanworks.

What is an independent archive?


The survey defined an independent archive as "a website where creators can share their fanworks. What makes it 'independent' is that it is run by fans but unaffiliated with any for-profit or nonprofit corporations or organizations. Historically, independent archives have grown out of fan communities that create fanworks."

On Tumblr, I am using the tag #independent archives for survey results and ongoing work to restore independent archives to fandoms that want them. This master post will collect data as they become available. I will post twice per day to Tumblr, so it is very likely that, during that time, this post will have data not yet available there.

How you can use these data


I welcome sharing and discussing the data here. Please credit me as Dawn Felagund with a link to this post. You do not need to ask for permission. I am giving permission right now.




Do you currently post/share your fanworks on any sites or archives other than AO3, Fanfiction.net, or Wattpad? )

If an independent archive existed that accepted some or all of your fanworks, and where you were comfortable with its policies, governance, etc, would you consider posting there? )

What types of fanworks would you consider posting to an independent archive? )

If an independent archive existed that accepted fanworks you were interested in reading or viewing, would you consider reading or viewing fanworks there? )

Would you consider building or otherwise volunteering for an independent archive )

How interested are you in building or running your own independent archive? )

Which of the following would interest you as options for building an independent archive? )

What would worry you about starting an independent archive? )

What skills do you already have in web design, web development, or site-building? )

How would you prefer to learn new skills to build an independent archive? )

In what other ways might you be interested in volunteering for an independent archive? )

What concerns about independent archives do you have? )

What concerns about OTW/AO3 do you have? )

Free response field )
[personal profile] ithiliana sent me a link to a kickstarter for a project that seems really cool and is very much under the banner of Things Dawn Beats the Drum and Yells About Occasionally: the fan-built web.

Remember this thing? When every other person had a Geocities (or Angelfire or ...) site, or ran a forum or eFiction archive (or both!) for a character, or owned a Yahoo! group or LJ comm for some niche fannish interest? There is lately a lot of nostalgia for these days and what fandom was like then. It certainly wasn't perfect, but I think many of us are emerging from the increasing consolidation and corporatization of the fannish web in the past several years and going, "Waaaaait ..." like when you're sledding down a hill as a kid and suddenly realize you might smash painfully into that thing that looked so impossibly small from the hilltop.

As someone who does still run an independent fandom website, I think often about where we are now and where we were then and how we can empower fans to take back their own spaces. And it's tough. More than eighteen years (dear god) of running the SWG and I know it's not for the faint of heart, and a big part of that is because of the knowledge it takes to set up and run an archive or another fannish web project. We're no longer in the days when being able to creatively wield the <font> and <marquee> tags and copy-pasting some webring code was enough to muddle through making a respectable site, but I've gone nose-first into a brick wall in trying to learn what I needed to build and improve the SWG more times than I can count because it is hard to find information about site building and development that is at the just-right level for someone who is not a professional (me). For example, I've tried to learn about Composer so many times now that when I begin to type "compo ..." into Google, it autosuggests "this again??"

So I very much support endeavors to provide technical training to fans who want to learn the skills needed to build their own websites. To that end, I have outlined (and, this summer, will hopefully record) a tutorial about using Drupal to build a fanworks archive, but I am still not a professional, FAR from perfect in my own knowledge, and Drupal will not be the right fit for every project.

Enter The Fujoshi Guide to Web Development. In their own words:

Jokes aside (though, really, there's no joke), despite the many complaints about the disappearance of old "GeoCities-like" websites, there's a dire lack of accessible guides made for busy everyday netizens of modest ambition. Indeed, while educational content on web development is available in many forms, it tends to fall into two categories: heavy, sometimes-jargony material targeted to those who want to make web development their full-time job, and oversimplified, nostalgia-driven tutorials that forgo modern techniques to focus on simple but outdated approaches.

Instead, this project aims to create educational material for web development that puts modern tools and techniques in the hands of a fannish, non-technical public, and which speaks to their needs without talking down to them. Our guides start from the belief that, given the right encouragement and support, people can master the best professional tools that will allow them to quickly achieve their website-building goals. We believe that, while some of these tools might require a bit of initial effort, they will eventually help people fully focus on the fun and creative parts of development without getting bogged down by unnecessary, obsolete complexities.


These are the same people behind Fandom Coders (which I also found through this project!) and they are seeking to raise money through Kickstarter to produce a series of illustrated zines/books teaching web development topics aimed specifically at a fannish audience. The illustrations and concept are themselves very fannish ... I'm not even going to attempt to describe them. Just go look at the link. This doesn't even look remotely like my fandom but I think it's adorable, and even if the aesthetic isn't your thing ... well, the information is still there.

Why does this "fan-built web" even matter?

Whenever I rant about the fan-built web, I piss someone off who thinks I'm anti-AO3/anti-OTW. I am neither. I think the OTW and its various projects have been essential to the growth of fandom. I am glad that they exist. Now that that's out of the way ...

I am concerned that a single organization is increasingly the only fan-run organization/location where most fanworks can be found. This is a problem. The biggest reason is the eggs-in-one-basket issue. Having dropped a basket of actual eggs, that saying came from truth because it makes a big fucking mess that, even as a grown-ass woman, you want to cry over when it happens. Imagine even a day's worth of data lost from AO3 and you'd have a lot of grown-ass humans bawling. Digital data is fragile, and if you think it's impossible that AO3 could suffer a data loss or be targeted by any number of individuals/entities hostile to their mission or even, gods forbid, close someday ... well. Running a website is not easy and, especially at the scale of AO3, it is not cheap. It is hard to find people to do anything, much less the specialized technical tasks that are required to run any site but, again, especially one of that scale. Right now, we can't imagine not wanting an archive for fanfiction, but in 2003, we couldn't imagine not wanting mailing lists either and the LJ homepage still featured Frank the Goat. I am less concerned that AO3's servers will be annihilated by a meteorite than I am that fans will move on to some future way of doing fandom that we currently can't even imagine, and AO3 will lack the people or the funds or both to continue.

As for for-profit sites/platforms used for fandom, if the last two decades have shown us anything, it is that no matter how fandom-friendly they seem, they will eventually gravitate toward a corporate-friendly stance on copyright and censorship, which will never be in fans' favor.

Then there is the simple desirability of more diverse options for the fannish web. There are advantages to being able to find everything in one place, but there are disadvantages too. I used to roll my eyes at the people who couldn't stand [whatever] to the extent that they couldn't even behave civilly on a website that included it, but the fact of the matter is, when these folks could self-select into their own spaces with their own likeminded people, that wasn't entirely a bad thing.

There are lots of reasons why people want to set up their own spaces beyond that, though. AO3, after all, has its own mission (creating a site where any fannish content is allowed) that doesn't necessarily align with what fans want/need out of fandom. Needs that come immediately to mind: the ability to create 18+ fannish spaces and the ability to curate content to create sites that prioritize the needs of BIPOC, LGBTQ+, and other fans from groups who have historically put up with a lot of shit and wouldn't mind a break from it when reading fic for fun.

Then sometimes people want their own space just to have a space to be mindlessly, squeefully fannish without the worry that they're interrupting or detracting or getting in the way of other fans who aren't as into their favorite as they are. This was the motive behind me starting the SWG. There were plenty of Tolkien fanfiction archives and lists and groups—we certainly didn't need another one—but I wanted a space just for nerding about the Silm.

And of course there are individual fan websites, which used to be a thing but largely ended with the closure of Geocities! I have my own website, and while it is terribly out-of-date (due to the conundrum of webmasters everywhere, which is the same reason the cobbler's kids go barefoot), I do love that there is a space where I can put absolutely anything I make and can then point people toward. This would resolve the eggs-in-one-basket issue for people who are multifandom or otherwise not inclined to use smaller archives like the SWG but who want a place other than AO3 to host their work.

For those who, like me, are interested in making it easier for fan-run sites to exist, I thought this kickstarter and the larger Fandom Coders project might be of interest. Even if not ... it warms the cockles of my crabby-on-this-issue heart to feel less like I'm tilting at windmills and maybe like we might be making some progress.
Timeline shows the opening and closing dates of different sites used to archive Tolkienfic

I have lately been diving back into Tolkien Fanfic Survey data, as well as reading Abigail De Kosnik's Rogue Archives, and the combined endeavor has made me eager to visualize some of the data on how fanfiction archive use has changed over the years in the Tolkien fandom. Hence, the above. As the title to this post suggests, it is not complete. The archives listed are those that Maria and I included in the 2020 Tolkien Fanfic Survey, and Fanlore has expanded its offerings in this area since then, and I hope to add those in to the graph as well. But this is a start.

Some Takeaways ... )
ETA: "Fandoms, Fan Fiction, and Fair Use: Transformative Use For Creators, Part 1" webinar video and transcript

Because I am on summer break for one more week, I had the chance to attend a Library Futures webinar on "Fandoms, Fan Fiction, and Fair Use: Transformative Use For Creators, Part 1." The webinar was presented by several brilliant women who work in legal fields related to transformative works. (I fangirled a little.) I took notes and want to share what I learned here for my fellow creators, archivists, and mods/admins. I winnowed out what I felt was most useful in the context of fanworks and specifically the Tolkien fandom. Please do feel free to share this post with others, and you do not need to ask me first. None of us benefit from withholding information out of a sense of obligation or politeness.

The webinar was recorded is supposed to be available at some point (including a transcript). I'll link it here when it is.

The Supreme Court Case at Hand


This session was predicated upon an upcoming Supreme Court case (oral arguments begin 12 October 2022) concerning the definition of fair use. Library Futures has submitted an amicus brief in this case. The case, in short: In the 1980s, Vanity Fair magazine acquired permission to use a photograph by Lynn Goldsmith of the musician Prince for an article. Andy Warhol heavily modified the photograph, and it was published alongside the article as planned. After Prince's death in 2016, Vanity Fair planned to do a tribute issue and discovered that Warhol had made multiple different versions of the modified photograph. They received permission from Warhol's estate to use one of the other versions as cover art on the magazine. The Andy Warhol Foundation for the Visual Arts ended up sued by Goldsmith on the claim that their use of the original photograph violated fair use.

Read more... )
This last week has brought an epic level of fandom monster-shouting.* The short version is that the Tolkien Estate updated their website (and their FAQ, as one does, not wanting dusty outdated documents on a shiny new site), and someone realized that the FAQs were there and freaked out because the Tolkien Estate doesn't like fanworks. Which, to anyone even vaguely familiar with the Tolkien Estate--or Tolkien, since he didn't like fanworks either--it is rather laughable to consider that anyone might have thought otherwise, seeing as the Tolkien Estate has played the role of that purse-lipped parent who talks sternly in the company of other parents about how strict and old-school they are, and then lets their kid do whatever the fuck they want, within reason. In other words, the Tolkien Estate has wagged their finger about fanworks for a long time and yet there are millions of them around and very easy to find.

*I didn't invent the term. In Stephen King's The Stand, there is a minor character referred to as "the Monster Shouter" whose entire role is shouting that the end of the world is coming. I coopted the term years ago for people in fandom who use an incident--minor or not--to shout about how the end of fandom or fanworks or whatever is coming. (Apparently I am not the only one to use it.)

Anyway, I've heard from multiple people now that this frightened them enough that they were considering taking their Tolkien fanworks down, and at least one person did. And this is on the basis of a social media post from someone most of them didn't even know. This is the power of misinformation, folks. Lest we think it is susceptibility only of "those people," whom we like to imagine as less educated and less enlightened than we are, or old and out of touch (okay, Boomer), let me state directly what just happened: We had an incident of viral social media misinformation in the Tolkien fanworks fandom that not only distressed hundreds, if not thousands, of people but caused some of them to consider--or even make--disastrous decisions concerning their own creative work.

I don't want to judge or shame anyone who panicked because of the original post (including the OP). I'd wager everyone reading here has jumped on misinformation at least once before. What always bothers me about monster shouting, though, and misinformation more generally isn't that people mess up, which people are wont to do, but that people who mess up then become very "eh" about correcting the record that they helped perpetuate. I get that it's difficult and sometimes embarrassing to say "I was wrong," but people are deleting their work over this; a reblog without comment ain't a big endeavor. The SWG wrote an article (here on Tumblr) in response to this incident, to explain why there was no reason to panic. As of this writing, the original post has well over 16K notes; the SWG post has 83. I realize there are reasons why something goes viral that has nothing to do with the content itself, and I didn't expect this post to--I even remarked cynically to my comods when I posted the article yesterday that I was interested to see how few people willing to spread misinformation were willing to reblog the correct information--but I find myself less aggrieved by the sharing of misinformation than the unwillingness to correct it.

This admittedly makes it harder to generate the sympathy I want to have for monster shouters: that they made a mistake and were sincere in sharing information they thought would help. It comes off instead as enjoying the emotional tumult of a situation and wanting to crank the outrage machine absent anything constructive.

Which, again, is not a surprise--we all live in the era of Facebook--but I find value in saying it outright. Food for thought.

It even started to devolve into conspiracy theory-making, my personal favorite that this is all because of Christopher Tolkien's death because he was a real champion of fanworks.

I always struggle personally with how to respond to monster shouting. I am not a media specialist, but I do teach media literacy, so I teach young adults how to identify and avoid misinformation, and I want to monster shout exactly what I tell them: that anytime something you read online makes you feel a strong emotion, STOP. Stop and think about it and make sure it is correct before responding or (especially) sharing because misinformation works (and is sometimes engineered, though I don't think that was anyone's intention here) to create a strong emotional response and literally the fate of a free and democratic society depends on you making the right choice. Seriously? The world might actually end if you share the wrong piece of misinformation./s

But then it feels patronizing to say to adults what I say to middle-school kids and in fact have on a Google Slide at the ready at all times to use when discussing current events in class. Stop. Take a break. Think. Research. Then respond.

Nor do I know it will make a difference because, as I said earlier, cranking the outrage machine is super satisfying and becomes almost a form of community bonding. Again, I'd bet most if not all of us have done it at one time or another. But it comes at a price.
I have been busy with fandom stuff over the past month or so. Some of this stuff is going to be old news to the people who are reading here. But for everyone else, here's a month's worth of fannish things!

First of all, my paper Affirmational and Transformational Values and Practices in the Tolkien Fanfiction Community has been published in the Journal of Tolkien Research. JTR is open-access, so you can read the whole thing for free. Yay, JTR!

The paper is the culmination of a lot of years of research and griping in fannish spaces that really originated with my observation, when I first started reading scholarly work about fanfiction, that much of my marginalia was along the lines of "Not Tolkien fanfiction!" I loved fan studies meta so much but felt like much of it wasn't about me and what I did. For the longest time, because of this sense, I focused on what made Tolkien fanfiction different from other fandoms' fanfiction, which was not the most productive approach, since that's comparing a single, very diverse entity to an enormously vast category (with tens of thousands of also very diverse entities) where every conclusion drew a ready exception. Instead, I started looking more at the theories in the scholarship and encountered the idea of affirmational/transformational fandom first put forth by obsession_inc, that places fanfiction largely within "transformational fandom." (Affirmational fandom values the original creator's authority, including the canon, while transformational values the fan's freedom to rework, reinterpret, and repair the original text based on the fan's own experiences.) I found that that didn't mesh well with my understanding of Tolkien fanfiction, which I see as a mixture of both types. (And to be clear, obsession_inc was not proposing a binary, but fan studies' work has leaned heavily toward the transformational.) So I dug a bit deeper into the research and found that, yes, my survey data, as well as other evidence, supported my sense, as a Tolkien fanfic writer myself, that we don't fit as comfortably on the transformational side as fan studies scholars have suggested of other fanfic. (I have my doubts there too, but I am not familiar enough with those fandoms to comment any deeper than that, so I'll let others do that work if they agree.) The article presents my research and conclusions that, ultimately, how we negotiate canon and authority and critical and reparative motives in our fandom is really complicated and shapes not only the stories we write but how we've built our communities.

Over December break, I finished two stories. First, I finished Home Alone: Forgotten in Formenos (SWG), my Silm/Home Alone crossover. This was rough, in the midst of losing Lancelot. I wrote the final 14K words in the two days before Christmas and did the "Battle Plan" map on Christmas. He was my constant companion in the study while I was working, so it was nice to finish it for him. I know Christmas is past, as is likely the taste for this story, but I'm still just happy I finished it. And hey, my sister-in-law listens to Christmas music year-round, so she can't be the only one who can tolerate jollitude outside the parameters of Thanksgiving-Epiphany that we impose in my family. It's also on my website and AO3.

I also wrote a Tolkien Secret Santa pinch hit for [personal profile] fernstrike: Yule Lights (SWG). Here's the summary:
As the new lord of Ost-in-Edhil, Celebrimbor must preside over a Yule festivity lacking what he loved of the celebration when he was younger, elements that have become fraught by association with Fëanor, but Annatar has a surprise for him.

It's also on my website and AO3.

Fun-lovin' wild woman that I am, my treat to myself over December break was setting up a page on Fanlore for Tolkien Fanfiction. I just scratched the surface, then RaisingCain added more after me. But it's our page. Go add stuff, even a single sentence or link to a fanwork. Or much more than that. Go tame; go wild. Just know its ours for our history and everyone is welcome.

And finally, I'll be presenting again this year at the Tolkien at UVM conference, which is on April 4 at the University of Vermont. Anyone who is going or who might be interested, let me know!
It's never good when I outdo myself in terms of working hard. Between Monday and Tuesday, I worked 28 hours: two 14-hour days. I'm not as tired as I probably should be, but I still did not allow myself to bring work home tonight. I felt like a turtle without my shell coming home without my backpack, but here I am.

We had our first ski day at Jay Peak on Monday. It went pretty well, aside from a lack of information and some general disorganization from the staff. I led the group that does Nordic for half the day, then ice skating for half. Except we were told the wrong order, so we snowshoed in the morning and then couldn't go ice skating in the afternoon, so I read to the students in the lodge while they colored and passed around my phone playing Woody Puzzle. They were not happy snowshoeing; we'll go cross-country skiing next time, which will be its own brand of struggle. We went 4.5 miles/7 km, which was too much for them. Which is sad: I'm three times their age and handled it just fine. (Admittedly, I did intentionally take them up what I knew was a huge hill. >:^))) And Vermont is the fittest state in the U.S.!

So I'm going to wade into the DNW discussion because I'm partly to blame for starting it. [personal profile] independence1776 has a post here that articulates a different perspective from mine on the matter of ficswaps and DNWs in particular. Some of you probably figured out that I was the person Indy was carefully not referring to by name, so here is my perspective on the subject, under the cut for people uninterested in Tolkien fandom or hearing more about this.

Read more... )
I posted some data yesterday on my tumblr about commenting rates during the first two weeks of B2MeM versus on AO3 and the SWG. You can read the post for the full data and analysis, but the short version is that commenting on B2MeM is much better than on the other two sites (and commenting on the SWG is slightly better than on AO3). Based on my research on commenting behavior to this point, I believe this is due to community, namely that when there is a strong sense of community on a site, commenting is more frequent.

This opened a discussion on the value of large versus small archives. And I'm wearying of trying to have a conversation in the tiny comment boxes Tumblr allows us (although I'm grateful that comments are at least a universal option now! this is a major reason why I have been able to enjoy Tumblr more lately). Let me start by saying what my ideal fandom would look like.

I have supported AO3 since the idea was first proposed on LiveJournal all those years ago. I think that a large multifandom archive is an essential part of the fandom, and all the better if it is a nonprofit like AO3. However, I do not think that this should be the only option. In the Tolkien fandom especially, a big part of our culture has always been building independent sites and archives. At one point, there were more than sixty Tolkien-specific archives, and this does not count communities established on social media sites like LiveJournal and Yahoo! Groups, nor does it count sites for resources, author's personal websites, etc. And I continue to believe that Tolkien-specific sites run by Tolkien fans should be a part of our fandom.

So I suppose this post becomes my manifesto about why I think small archives are important to fandom, particularly the Tolkienfic fandom.

Why We Need Small Archives )
Fandom Snowflake Day 5 asked participants to "post recs for at least three fanworks that you did not create." I went *ahem* a little above and beyond. I did ten. I've been reading a lot of Tolkienfic lately--it is one of my goals for the year to make time for reading, as it is often one of the fandom pleasures that falls first to the obligations of running a website--and I wanted to share some of my favorites from among what I've read. I feel like I need to make up for a few years of rarely reading and commenting while I was in grad school. Most of these stories are Silmarillion-based, but there are a few that are from The Lord of the Rings.

Please check them out and, if you like them, consider leaving the author a note letting them know.

The Choice by Keiliss. Thank goodness the prompt that inspired this story gives away the ending or I don't think I would have been able to take it. I still teared up at multiple points in this tenderly written and beautifully human story about Elladan and his daughter making their choice about whether or not to sail for Aman. Few of Tolkien's unanswered question have inspired the speculation, angst, and fanfic as the question of whether the sons of Elrond sailed, and Kei's story deserves a place at the top of the heap. Her characterization, too, of characters who only appear in passing speak of why she is one of the giants of Tolkienfic. This story is simply wonderful.

Elendili by hadastheunseelie. I picked up this story for the Fandom Snowflake challenge that asked participants to reach out to someone new. I'll admit that I hesitated. It mentions a teenage girl and glitter in the summary, and while I totally support teenagers writing fanfic--a lot of my students do and I think it's awesome!--I also reserve the right not to read said fanfic when it's not one of my students! And the story was long. But, in the Snowflake spirit, I gave it a go and OMG. OMG, y'all. It is probably the strangest story I will rec here--which anyone who knows me will know I mean as a compliment--but Hadas is one of those writers with a gift for wielding words like a knife between my bones where they actually hurt. The imagery is stunning: sometimes gritty and very anchored in Modern-earth (where this story is set) and sometimes ethereal and otherworldly, making that familiar world of colleges and coffee shops Elvish somehow.

Eyes Bright with Honor by heget. Heget is working on telling the tales of the ten companions who died in the dungeon with Finrod in defense of Beren. The Beren and Luthien story has never particularly entranced me (Finrod's on the other hand ... *ahem*), but I walked away from this story getting it: getting some of the magic that people (including Tolkien) see in that story and in the character of Beren in particular. The story meanders through time, mostly looking back to the life of the OC Consael whose story Heget tells in this piece, and it is a story where the pieces all coalesce and make beautiful sense in the end. This is one of the most horrifying episodes in The Silmarillion to me, yet I could walk away from this story with a rare sense of feeling uplifted and hopeful instead of imagining those eyes kindling in the dark ... Heget plans to write about all ten companions, and I will be checking out the other pieces in the series on the strength of this one.

Galadriel: There and Back Again by Himring. If someone were to task me with writing the life of Galadriel, I would sweat over it for a year and turn out a sprawling, half-million word epic. And I still don't think I could top this story. Himring is perhaps one of the most underappreciated masters of Silmfic, and this story shows why. Her Galadriel manages to be stubborn, strong, and vulnerable with a no-nonsense wisdom that probably explains her survival alone (almost) of her family. And in well under 2000 words! Every wrenching, poignant word counts in this piece that stitches together the Galadriel who competed with (and feared) Fëanor and she who gave Frodo the light of Eärendil that saved him.

Home for Midwinter by Tallulah Red. I will echo Tal's several reviews on the LotRGenFic community--this was written for their annual Yule Exchange--who praised the world-building in this story. The story was written for Indy, who wanted to see Maglor adopt a family from among the Avari. Although a short piece, it sparkles with believable characters and culture, taking a different take on the Avari than most writers do. And in a fandom that has a Maglor-walks-by-the-shore-and-laments trope, it was refreshing to read a story that allows him happiness in the future while also not shying from his history.

Journeys by Independence1776. This story was written for me, for the MPTT/LotRGen Yule Exchange. I remember writing a story once for a friend that she described fitting like a pair of gloves that could only be selected by someone who knew her well. This is such a story. It is Maedhros and Maglor and a conversation in a cave, yet the dialogue simmers with much more than can be seen on the surface, and Indy achieves an easy camaraderie between the brothers that is delightful to read. It is simply wonderful, like Indy dove into my mind and extracted a story I would have loved to have written for my own verse. I'm officially adopting this one into the Felakverse.

The Purple Dress by Avon. This story gave me chills. Set in Númenor, a young woman flouts convention in her choice of dress color ... but this story is so much more than that. It is one of those pieces that unspools in slow revelations so that, as a reader, you're never entirely on steady ground. And once you realize what is going on, you're not there yet; the ending simmers with delicious double entendre. There's A LOT going on in this short piece, and every word and image count.

Though the Road Darkens by Marta. Marta's story tells the tale of Gorlim the Unhappy through the eyes of his companion Gildor. The voice in this story is simply magnificent; you feel like you are sitting at the fireside, hearing Gildor tell his tale. A complicated story, it brings in folklore, myth (Middle- and Modern-earth), and questions the historical tradition, offering different look at Gorlim's story. Oh, and it's beautifully written, the kind of words you want to lean back and savor like wine. If you're thinking--like I probably would have if Marta hadn't asked me to read this story--that you'd never be interested in a story about Gorlim, take a chance and prove yourself wrong. (I'm happy to admit that I was! :)

Winter Came Earlier by Oshun. She calls this "just a bit of fluff" in the summary, but saying this is "just" fluff is like saying the Grand Canyon is "just" a sidewalk crack. This is a layered and thought-provoking story in which Elladan faces, through Arwen and Aragorn, his own worries about mortality and what it means to be Peredhil. But don't let my summary scare you into thinking that this is a deep, heavy story that one can only read in a bright-lit room. This is Oshun, after all, and her work is as ever sweetened with romance and humor that balance perfectly with the deeper themes of this short, lovely work.

Winter Sons of Gondor by Elwen. It was my turn this month on MPTT to archive the challenge stories. This necessitates skimming each piece so that I can add the meta-data to it about character, genre, et cetera. Most of the time I do just that--skim--and I started to do so with this story but got hooked in despite my intentions to make quick work of posting it. Young Boromir and Faramir are coping with the pressures of their father's growing madness when they decide to escape for a morning to enjoy a rare snowfall. But their journey takes an unexpected turn. This story is a page-turner, and I could not have left off reading it and gone back to skimming if I'd wanted to.
Today's Fandom Snowflake challenge is to make a fandom wish list. I have skipped Day 5, not because I'm not doing it but because I'm reading a lot of stuff that has been posted recently in an attempt to create a rec list that includes both friends and writers new to me.

Here is today's challenge:

In your own space, create a list of at least three fannish things you'd love to receive, something you've wanted but were afraid to ask for - a fannish wish-list of sorts. Leave a comment in this post saying you did it. Include a link to your wish-list if you feel comfortable doing so. Maybe someone will grant a wish. Check out other people's posts. Maybe you will grant a wish. If any wishes are granted, we'd love it if you link them to this post.


Wish lists are hard for me because I'm very well treated in fandom in terms of feedback on my work, in the form of comments, recs, and people wanting to do stuff with my stories like draw or translate them. So to ask for more of those things when I already feel like I'm treated so well seems greedy and wrong.

So once again I have to think outside the box a little.

I'd like people who write Silmfic to post it on the SWG and to comment on stories there. Here are the twenty-five most recent stories posted on the SWG. Go comment on one of them! I haven't read them all, but some are superb! There are a dozen different authors represented there and stories about all aspects of the canon.

If you don't write Silmfic? Post to another Tolkien-specific archive and comment there every now and then. Here's a list. I don't know why I have such a sense of urgency about this now, but I do. Perhaps it was the demise of the MEFAs and HASA, one right after the other: those inviolable giants from my early fandom days.

Be brave once this year (it doesn't have to be right now) and say hi to someone new or tell someone whose work you've admired from afar how much you appreciate what they do.

And finally--a little more fun, perhaps--roll a prompt with at least four elements on the Random Silmfic Prompt Generator and either write that prompt or post it here and I will write it (or both).
In true Fandom Snowflake tradition, I have fallen behind. Fandom is, appropriately enough, the reason I have fallen behind. The beginning of the month is filled with posting challenges and compiling newsletters. My free time at home for the past two nights has been entirely consumed by fandom chores. I'm still not 100% finished and have a beta to do, but I'm taking a break to get at least a little caught up.

Day 3's challenge:

In your own space, set some goals for the coming year. They can be fannish or not, public or private. Leave a comment in this post saying you did it. Include a link to your post if you feel comfortable doing so.


Man oh man *rubs hands together* I love setting goals! I'm going to set three in different areas of fannish participation.

  1. Start writing the prequel to Another Man's Cage. I've actually started writing it twice now. Once, I got four chapters in and the files corrupted. (This was pre-Dropbox, which tells you how long I've been promising this prequel.) The second time, the magic just wasn't there. Three's a charm, right? I've been promising this story for years, so it will be my next long work, just as soon as I can wrap up Tamlin.


  2. Solve the eFiction problem. This feels so super ambitious that I'm kinda scared just writing it. But I am hoping that it will also focus me and allow me to make this work a priority.

    The "eFiction problem" is that we do not currently have a good option for fanfic archives. eFiction was a gift that was probably too good to last. It's beginning to show its age. Yeah yeah yeah, eFiction 5 is in the works, but I'm not encouraged by how long it's taking and also reluctant to go to the work of changing to something that would also become obsolete if the developer also abandoned it. Once bitten, twice shy.

    What I'm trying to do is to figure out how to make a fiction archive using a CMS. I've been studying Drupal and have looked into Wordpress as well. (I have to admit that I am in love with Drupal like whoa. I think I've been a casual Wordpress user for so long that I don't really recognize its full potential, so I need to give it a fair chance too before committing to Drupal.) Whatever I figure out--because I will figure this out, y'all--I will share what I learn so that as other archives want to transition from eFiction, they hopefully can do so. We need to keep our small archives alive.


  3. Finish and send out that historical bias paper. Attainable Vistas was initially almost twice as long because it contained quite a bit of original research demonstrating historical bias in The Silmarillion. The editors advised that I cut most of that and submit it as a separate paper to JTR or elsewhere. I'd already felt it was two papers and so was glad to accept this advice; I had worried that the paper might be rejected for lack of evidence and so thought to cover my bases many times over. Probably a rookie mistake.

    Anyway, because of this, I have an academic paper basically written. I need to finish that and send it somewhere. I have no idea where. My current plan is my usual plan of aiming as high as I can and being prepared to cheerfully aim lower if my hopes are thwarted.
Here is today's prompt for the Snowflake Challenge:

In your own space, share a book/song/movie/tv show/fanwork/etc that changed your life. Something that impacted on your consciousness in a way that left its mark on your soul. Leave a comment in this post saying you did it. Include a link to your post if you feel comfortable doing so.


I would, of course, choose The Silmarillion. It is not my favorite book, but it is absolutely the book that has had the most outsized influence on my life.

 photo silmarillion_zpspycpzqog.jpg

I came to The Silmarillion as a newly minted Tolkien fan, having gotten hooked by the LotR movies, an interest that was only galvanized by reading Lord of the Rings and The Hobbit. My first copy of the Silm was the one to the right, with the weird cover that has Fëanor with graceful hands, flowing leopard-print scarves, and what appears to be an owl eating his head. The back of this particular edition, which is of course sitting right on my desk in front of me because I need to look something up in it at least weekly, reads:

The Silmarillion is Tolkien's first book and his last. Long preceding in its origins The Lord of the Rings [sic], it is the story of the First Age of Tolkien's world, the ancient drama to which characters in The Lord of the Rings [sic] look back, and in which some of them, such as Elrond and Galadriel, took part.


Now to a new fan such as myself, ravenous for more of LotR, this sounded promising! Elrond and Galadriel! I knew them!! I had no idea, of course, that the book wasn't about Elrond and Galadriel, who more or less have walk-on roles in The Silmarillion, but about a cast of dozens, everyone's name of which seems to begin with Fin-. I was also very new to the fantasy genre and really had no idea how to read a book like The Silmarillion. I went into it with my brain relaxed, expecting a frivolous sword-and-sorcery worthy of a beach read, instead of honing on every detail and storing away every name. I failed miserably in my first reading of it. I was about halfway through when Fëanor was mentioned, I looked him up in the Index of Names (the very fact that there is an Index of Names in the book should have been my first clue, no?), and realized he was someone important whom I should have remembered.

It was only because I was stubborn and embarrassed by my failure that I decided to give it another go, this time knowing better what I was getting into and more prepared to read the book as it needed to be read. And I fell in love with my second reading.

It sounds trite to say that Tolkien's world is rich but it is, and I am far from the first to become ensnared in Middle-earth via LotR. LotR, however, did not offer me the complexity of character that I had learned to appreciate in modern literature. I found that much more in The Silmarillion, where few characters are cut-and-dried good or evil but pretty much everyone is floundering around, trying to make the best of a shitty situation. That really appealed to me. The fact that the characters are barely sketched in made it possible to interpret them in myriad ways, drawing on my knowledge of human psychology. (I was a psych undergrad at the time.) When I discovered fan fiction, The Silmarillion practically begged for it: all of these complex characters only skeletally drawn. I found ample raw material for my own creativity.

And I found that The Silmarillion was only the surface of a very deep pool. LotR is a gateway drug that, if you're not careful, you'll find yourself before long flopped on a couch in a dim room arguing with a stranger on the Internet about how to interpret Laws and Customs among the Eldar. In addition to my creative side, The Silmarillion appealed to my intellectual side because there was not only a whole literary history underlying the creation of that particular book--meticulously documented in The History of Middle-earth series that I began to acquire despite my poverty at the time--but an entire pseudohistoriography. The result was a mashup of creativity and scholarship where the borders blurred. I was in love.

The Silmarillion and what it inspired of my creative and intellectual work has had reverberations through most of my life. When I picked it up, I had no idea what I wanted to do with my life, but I was terrified to imagine that my love of writing and creativity should be a major part of my adult life. Becoming involved in the Tolkien fandom through my love of The Silmarillion empowered me to embrace my love of language as a core of who I am. I went back to graduate school. I became a teacher. I eventually earned my MA in the Humanities and have had my scholarly work published. All because of The Silmarillion.

Through the Tolkien fandom, I have gained confidence in my skill as an artist, my voice, and the importance of my work. I have met amazing, lifelong friends whom I cannot imagine my life without. I have done things (like present at conferences) and learned things (like web design) that I never would have imagined as the young undergrad picking up The Silmarillion for the first time.

It's hard to imagine such a tiny action as picking up a book to read as having such far-ranging consequences. I still remember standing in the Barnes & Noble on The Avenue at White Marsh and holding my now-battered Silmarillion in my hands, deciding to spend my meager money to have more of this world, clueless that I had just decided to change my life. It's humbling and scary to realize that one's life is very rarely shaped by huge forces or in moments that one recognizes as turning points but in the tiniest of decisions that, looking back, set off a cascade of forces so that nothing was ever the same again. It is both frightening and hopeful to step daily into a world where that is possible.
I am going to try to do the Fandom Snowflake challenge this year. Like all of it. I usually do a day here or there, but I've liked journaling daily as part of the photo-of-the-day (although if my performance on that is any indication, then I'll miss a few days of Snowflake as well).

Day One's challenge is:

In your own space, post a rec for at least three fanworks that you have created. It can be your favorite fanworks that you've created, or fanworks you feel no one ever saw, or fanworks you say would define you as a creator. Leave a comment in this post saying you did it. Include a link to your post if you feel comfortable doing so.


So *rubs hands together* ... let's dive in!

I've self-recced stories for Fandom Snowflake and other challenges before, and my stories are the first place my brain tends to go when asked for self-recs. But I'm going to mix things up a little bit and also, in the spirit of the Snowflake Challenge, break the rules a little by only reccing two things. But they are two big things! So maybe that counts for something.

I am reccing the two sites that I built and that I currently help moderate: the Silmarillion Writers' Guild (which I also founded and own) and Many Paths to Tread.

Really, as far as fanworks that define me as a creator, here you have it. Yes yes, I've spent many hundreds of hours writing stories, and I'm not going to play coy and pretend that some of those stories haven't been important to the Silmarillion fandom, but deciding to turn my energies to learning web design now more than ten years ago was life-changing and--I like to hope--something that shaped the Tolkien fandom in positive directions.

For anyone who doesn't know the story, I decided to found the SWG after a night of insomnia in which I decided that the Internet needed a Silmarillion-only group and I should be the one to build it. I chickened out immediately upon setting up the SWG on Yahoo! Groups (remember that?!) and LiveJournal, but thankfully I was found by Uli/ford_of_bruinen, who would become my first comod, and pushed me to follow through on my dream. When SWG members wanted an archive, I set about learning to do what I'd need to do to build one. I taught myself HTML and CSS from books and started working with eFiction. This led the LotRGen moderators to approach me about building a site for them. I was impressed with the fact that, as a genfic group in an anti-slash point in fandom history, they were open to allowing any stories at an R-rating on below on the site, regardless of the orientation of the couple(s) in the story. So I agreed to help them build their site, and that brought me to MPTT.

I say all this because I've been in the Tolkien fandom for a long time now, and I'm seeing things start to change in ways that I don't like, namely that Tolkien fandom is becoming increasingly comfortable with centralization, and many fans are losing their self-sufficiency in the process. Back in the day, there were dozens of homegrown groups owned by people in the Tolkien fandom, and it wasn't particularly extraordinary to do what I did and learn specialized skills in order to run fandom projects. Plenty of people who couldn't do much more than switch on the computer when they started in fandom learned to write HTML, design graphics, and manage online communities.

There are disadvantages to local control, whether in government or fandom and I won't pretend this was always utopian, but one thing was certain: We did not depend on the blessing or existence of anyone but ourselves and our own minds and hands to have our communities. I will be blunt: I dislike how centralized Tolkien fandom has become. I dislike the snide way people look down their noses at websites like mine because we're not as advanced as AO3. I dislike how everything is on AO3 or Tumblr now. And let me be perfectly clear: I am on AO3 and Tumblr both myself. I have no problem with either site. I like both sites. I was an extremely early adopter and supporter of AO3 and continue to think that they are very much a needed part of the fan community. Notice I said "part." Because AO3 and Tumblr are not the Tolkien fandom, y'all. WE are the Tolkien fandom. These sites will not represent and defend our interests when they are different from Fandom as a whole. If you need proof, just look at the AO3 piped tag debacle, in which AO3 told Tolkien fandom to go fuck itself rather than listen to feedback about a usable system for tagging characters and pairings. And our fandom is weird. Tolkien-based fanfic is more than fifty years old; we have a history and a complex canon that is unlike any other fan community. Our needs are and will continue to differ from Fandom as a whole, and we deserve sites run by people from our own communities that listen to our needs and interests.

For my part, I plan to continue to fight to keep my sites alive and relevant. They are my proudest achievement in this fandom, and I continue to believe strongly that they are needed and important. I hope Tolkien fans reading here will make more of an effort in 2017 to support a Tolkien fandom site or project. Post your stories to a Tolkien archive; comment on something that isn't on AO3 or Tumblr; volunteer to help with an event or challenge. It doesn't have to be the SWG or MPTT, but do something to keep our Tolkien fandom institutions alive.
Tomorrow it is back to work and school, so I will be back on hiatus, writing my thesis, until May. But, over winter break, I had the opportunity to write not one but TWO new Tolkienfic stories, both for the LotRGenfic/MPTT Yule Exchange. So before I sink back beneath the waves of despair work and grad school, I want to link them here, for anyone who might be interested.

As always, comments public and private are very much appreciated.

Víressë (for Keiliss). As Sauron's reach lengthens, Winter lingers overlong in Gondor. In the midst of cold, despair, and the slow march to war, Boromir kindles a forbidden love affair with an unknown errand-rider that creates intrigue and betrayal. Contains slash (Boromir/Hirgon) and a scene involving the corporal punishment of a child. Neither is graphic. LiveJournal | MPTT | AO3

Song of the Stone (for Zdenka). Newly arrived at Khazad-dûm in the Second Age, the Elven loremaster Pengolodh presents a portion of his new book to Narvi only to discover that his understanding of the “great profit” that existed between the Dwarves of Belegost and the people of Caranthir in the First Age is not quite what he assumed. LiveJournal | MPTT | SWG | AO3

See y'all in May!
Important ETA: Over the past few days, I have been in correspondence with other Tolkien archive admins and the abuse team on AO3. It seems that my initial fears that this incident was "bigger than us" were well-founded. This person has been found on several Tolkien archives (although they don't seem to have posted as widely anyplace but the SWG) and may be linked with a chronic plagiarist on AO3 and ff.net. That makes vigilance more important than ever for all of us. Readers, if you see a story on an archive that looks familiar but isn't by the author you recall writing it, please say something to an admin. It is worth pointing out that we were able to catch and quash this person on the SWG as quickly as we did because we had several members who saw something that didn't look right and reported it. Finally, many, many thanks to everyone who has spread the word. I know it's been a lot of you. (This post was in the LJ Top 25 for a while!) /ETA

As some of you already know, we recently had a major incident of plagiarized work being posted to the Silmarillion Writers' Guild. Given what my comoderators and I discovered during our investigation, I have reason to believe that this is not an isolated incident on our site alone, nor is this person confining their activities to the Tolkien fandom. I have contacted the authors whose work was stolen, and my comods and I have also reached out to the admins of other Tolkien archives (MPTT, Faerie, SoA, OSA, and NaN*) and the abuse team on AO3 to share our findings.

*I couldn't find a contact address for LOTRfanfiction.com, if there is even an active admin on that site anymore. If anyone has one, I'll forward my findings there as well. ETA that Keith has been brought into the loop ...

I am sharing this information publicly here with the intention that it be shared with other admins and authors. Please feel free to link, share, and repost any of the information here. You don't have to ask. I don't care if you credit me (although doing so is probably practical so that anyone with questions about our findings can contact me directly). The important thing in my mind is making sure that this person is shut down before they can do more harm and empowering both admins and authors to do so. If your actions are done with that goal in mind, trust I am going to be cool with it.

A brief summary of what is going on:
  • Multiple accounts were used on the SWG to post plagiarized stories. These stories were stolen from multiple authors.

  • The person or persons behind this was/were responsive to feedback from our moderation team concerning what was allowable on our archive and actually exchanged emails with me on a couple of occasions. They were clearly not part of the Silmarillion fandom (I'm fairly certain they don't even know what The Silmarillion is) and may not be familiar with fandom and fanfic at all. But they were good enough at impersonation that it took us two weeks to catch on to them.

  • They appear to be stealing stories mostly from AO3 and Fanfiction.net. However, there is evidence that they are stealing from other sites as well, and we know for a fact that they have started their shenanigans on OSA. (We've contacted the OSA admin.)

  • They appear to be stealing primarily stories that are recently posted or updated. Again, however, this is not 100% the case.

  • They were insistent of their innocence, even after we found overwhelming evidence to the contrary. I don't know the motivation behind that; it doesn't appear that they were invested particularly in the works they had posted but seem to have selected them somewhat at random.



A version of this post has also been posted to the Stop Plagiarism community on LJ and is in the queue to be reviewed by a moderator.

ETA ... it is now also posted on Tumblr.

What Happened )

Screencaps and Links )

Summary of Usernames, Emails, and IPs )
Okay, at long last, I am sharing the video of my presentation at the New York Tolkien Conference here. The full title (which will not fit in the space allotted for titles) is "The Loremasters of Fëanor: Historical Bias in the Works of J.R.R. Tolkien and Transformative Works." It discusses both the evidence for historical bias in Tolkien's works (especially The Silmarillion) and how the fan community uses that bias to create fanworks.



You won't be able to see the data and other visual aids on the screen behind me. That data (as well as a detailed synopsis of the paper) is available on my blog The Heretic Loremaster.

Also, a friendly reminder that The Heretic Loremaster does have a feed set up on both LJ and DW at [syndicated profile] heretic_lore_feed. Following this feed will bring new HL posts directly to your flist. Because my journal has come to be just that--a journal--it is usually the last place that I bring fannish stuff; however, I know a lot of people who friended me here did so because of our shared fandom involvement, so if you miss seeing that stuff here, the HL feed might help a bit. (Just a bit because it is infrequently updated thanks to my grad school schedule!) Also, please remember that I have no ownership or control over this feed, which means that I don't receive comments left on feed posts. Please comment directly on the posts themselves; no membership is required to do so.

The paper will eventually be available to read but I need to clean up citations first. If you don't mind my sloppy sourcing and want a copy early, just let me know.
Well, when it rains it pours, in a good way this time. Some of you might remember a few weeks ago when I had mad deadlines for things and was biting my fingers till they bled (how I react when stressed out!). Both being due simultaneously meant that they were both published within the past two days.

My article "Fictional Scholarship: How the Peter Jackson Films and Fandom Archives Make Tolkien Fan Fiction Writers into Competent Critics" is out in Mythprint 52:1. It is a shortened version of my Mythmoot paper (which will eventually be available for free online in the proceedings) but does introduce some new data and expands on some of the points I couldn't really delve into in my Mythmoot paper because of time. Unfortunately, I don't have a link for this one, but Mythopoeic Society members will get it as part of Mythprint. There were no strings attached on this article, so I can reprint it wherever and whenever I want, and I will post it on the Heretic Loremaster in a couple of weeks. I just want to give Mythprint the courtesy of having it first for a while.

And my article In a Stone House by the Sea: The Founding and Governing of the Silmarillion Writers’ Guild is available in Signum University's Eagle. (Here is the entire March edition of the Eagle.) The timing on this was perfect because, believe it or not (and I am still having trouble believing it), the SWG's tenth begetting day* is tomorrow.

*Just like an Elf, the SWG has a begetting day and a birthday because I set it up on March 15 and then chickened out about doing anything with it until later in the year, having been utterly unqualified to start anything of that scope, even as I imagined it then. Uli pushed me in the summer to try to actually, um, get people to join, so I count the end of July as its birthday.

Finally, I wrote an essay, We Are Fëanor? Thoughts on Reading Moral Ambiguity into the Characterizations of the Fëanorians, which I posted to the Heretic Loremaster and also Tumblr. (Also a reminder that [syndicated profile] heretic_lore_feed will display HL posts on your friends page. I don't use the HL very much these days but it [and the entire Midhavens site] will be getting a facelift and some renewed attention once my MA is done and then I hope to have regular updates from me and People Not Me.)
Over on the post about my paper presentation this weekend, the issue of genre was brought up because I didn't address it in the paper but I definitely asked about it in the survey. I decided not to include it in the paper because it involved defining and explaining terminology (genfic, het, slash) that I just didn't have time for, and I wasn't sure I could introduce the topic in so short a time in such a way that I could impress upon a non-fanfic audience all of the significance and sometimes emotion that accompanies these genres. However, it certainly interests us, so I'm going to share some data here. (I did post some data in the conversation on the earlier post, but the comments are becoming convoluted enough that I worry that it's going to become difficult to find and discuss it, and it is worth breaking out into a place where it is easier to find and talk about.)

I am going to share the data sets for the four genres for readers and writers from my survey and also from Centrum Lumina's AO3 Census. It is important to note that the questions I asked and she asked are not identical and, in fact, measure slightly different things, but I think they are similar enough that we can at least look at them side-by-side to see if there are any trends between the Tolkien fandom and fandom as a whole, at least as it exists on AO3.

Data and Discussion below the Cut )
I had to let the video upload on YouTube run overnight because of my current Internet situation but--at last!--the video of my presentation on Saturday at Mythmoot is finally ready. The full title (which is too long to fit in the title field) is "Transformative Works as a Means to Develop Critical Perspectives in the Tolkien Fan Community." The paper covers the history of Tolkien fan fiction, the development of online communities, and the use of Tolkien fan fiction as a means for writers to not only learn more about the texts but to become more analytical and critical readers. This is probably not news for anyone here, but keep in mind that I was presenting to a general (and not necessarily fanfic-friendly) audience at a fantasy studies conference.

The handout for the presentation can be found here. An audio-only version of the presentation can be found here.



Thoughts and reactions are most welcome, of course! :)

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